A la nave (Spanish Edition)


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They count with a good lighting provided by windows with horseshoe arches, double in some cases, in the lateral naves, the east zone of the central nave, the dome, the chevet and the west wall. With regard to its cover, the crossing nave and the whole chevet have semicircular barrel vaults, canted upon horseshoe toral arches supported by square pillars with attached columns.

The dome in the intersection of the central with the crossing naves has a window on each of its four walls and was covered by a groin vault in stone that was found knocked down and was rebuilt in brick. There are also three elevated chambers, supposedly to hide treasures or archives, over the major chapel and the lateral vestibules.

comando de la nave

With regard to the structure of San Pedro de La Nave, it is curious the compromise of utilizing for the eastern part, a design based in cruciform churches, whereas the west part has the shape of a classical basilic. There are several theories on this subject, that go from the possibility that it corresponds to a completely original design as a new variation searching after a definite type of church, as we have already seen in many constructions that have survived from the 6th and 7th centuries, up to the theory that suggests that they had made a mistake in the calculations of the initial constructions that prevented them to finish the work and were replaced by a different group of stone workers that continued modifying the original design.

We think it hard to accept that both parts had such different authorships, for the excellent study on external and internal volumes, the distribution of the different types of decoration found in both parts and the sensation of an homogeneous ensemble that this church provokes. The impression of fragmentation of space that the interior of the church produces is very similar to what we feel on entering Santa Comba de Bande, but with a greater sensation of amplitude.

The four arches that support the dome are also very interesting; horseshoe-extrados upon common imposts and only the two of the central nave, with attached columns and capitals below the impost. The whole church has an excellent decoration in imposts and capitals, completelyintegrated in the construction with three prefectly defined styles:. In summary, it is a very harmonic, well proportioned ensemble in an excellent state of preservation, with a very interesting decoration, that gives idea of the maturity reached by the Spanish Visigothic architecture.

Take B road to El Campillo. Ars Hispanie: Tomo II. Imagen del Arte Hispanovisigodo: Pedro de Palol. Iglesia Parroquial de San Pedro de la Nave. San Pedro de la Nave. Zamora, la leyenda del tiempo. Your email address will not be published.

Translation of de oi y kat nacido en la nave from Sp

Vista general desde el noroeste. Fachada principal y costado norte del que sobresale la nave de crucero, de la misma altura que la central. Vista del costado norte de la iglesia. Vista general desde el nordeste.


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Las tres alturas de la iglesia: naves central y de crucero, naves y compartimentos laterales y torre de crucero. Costado sur de la cabecera. Vista general desde el suroeste. Observar la forma basilical de tres naves, de mayor altura la central, con nave y linterna de crucero muy destacadas. Detalle de imposta en la entrada del costado sur del crucero. Interior de la iglesia desde la puerta principal. Vista parcial del interior de la iglesia. Vista general del cimborrio sobre el crucero.

Soportado por cuatro arcos de herradura trasdosados sobre impostas comunes. Vista del interior de la cabecera. Detalle de la estructura del cimborrio. Daniel en el foso de los leones. De una calidad excepcional, es uno de los pocos ejemplos que se consevan de figuras humanas en el arte visigodo. Capitel con el sacrificio de Isaac.

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Arco de acceso de la nave lateral sur a la de crucero. Vista general del interior de San Pedro de la Nave. This website uses cookies to improve your experience while you navigate through the website. The dome in the intersection of the central with the crossing naves has a window on each of its four walls and was covered by a groin vault in stone that was found knocked down and was rebuilt in brick. There are also three elevated chambers, supposedly to hide treasures or archives, over the major chapel and the lateral vestibules.

La Nave Del Olvido (English translation)

With regard to the structure of San Pedro de La Nave, it is curious the compromise of utilizing for the eastern part, a design based in cruciform churches, whereas the west part has the shape of a classical basilic. There are several theories on this subject, that go from the possibility that it corresponds to a completely original design as a new variation searching after a definite type of church, as we have already seen in many constructions that have survived from the 6th and 7th centuries, up to the theory that suggests that they had made a mistake in the calculations of the initial constructions that prevented them to finish the work and were replaced by a different group of stone workers that continued modifying the original design.

We think it hard to accept that both parts had such different authorships, for the excellent study on external and internal volumes, the distribution of the different types of decoration found in both parts and the sensation of an homogeneous ensemble that this church provokes. The impression of fragmentation of space that the interior of the church produces is very similar to what we feel on entering Santa Comba de Bande, but with a greater sensation of amplitude. The four arches that support the dome are also very interesting; horseshoe-extrados upon common imposts and only the two of the central nave, with attached columns and capitals below the impost.


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The whole church has an excellent decoration in imposts and capitals, completelyintegrated in the construction with three prefectly defined styles:. In summary, it is a very harmonic, well proportioned ensemble in an excellent state of preservation, with a very interesting decoration, that gives idea of the maturity reached by the Spanish Visigothic architecture. Take B road to El Campillo. Ars Hispanie: Tomo II. Imagen del Arte Hispanovisigodo: Pedro de Palol.

Iglesia Parroquial de San Pedro de la Nave. San Pedro de la Nave. Zamora, la leyenda del tiempo. Your email address will not be published. Vista general desde el noroeste. Fachada principal y costado norte del que sobresale la nave de crucero, de la misma altura que la central. Vista del costado norte de la iglesia.

Vista general desde el nordeste. Las tres alturas de la iglesia: naves central y de crucero, naves y compartimentos laterales y torre de crucero.

Costado sur de la cabecera. Vista general desde el suroeste. Observar la forma basilical de tres naves, de mayor altura la central, con nave y linterna de crucero muy destacadas.

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Detalle de imposta en la entrada del costado sur del crucero. Interior de la iglesia desde la puerta principal. Vista parcial del interior de la iglesia. Vista general del cimborrio sobre el crucero. Soportado por cuatro arcos de herradura trasdosados sobre impostas comunes. Vista del interior de la cabecera.

A la nave (Spanish Edition) A la nave (Spanish Edition)
A la nave (Spanish Edition) A la nave (Spanish Edition)
A la nave (Spanish Edition) A la nave (Spanish Edition)
A la nave (Spanish Edition) A la nave (Spanish Edition)
A la nave (Spanish Edition) A la nave (Spanish Edition)
A la nave (Spanish Edition) A la nave (Spanish Edition)

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